Don’t combine the letters in the same way for each solution and just change the font or typeface. Please have a different creative solution for each sketch. You will have three pages with four sketches on each page. You should fit four sketches on one 8.5 x 11 sheet of paper.
Minimum dimension is three inches for each sketch. Write down which typefaces you used for each letter. They should not be estimations or approximations of the letters, they must look like the actual shape of the letter in that typeface. Initial sketches should be developed by tracing or drawing printouts of the actual letterforms where possible. Use black only, no color or gray.ĭraw six ideas for development in our next class. Also, no special effects typography like drop shadows, glows, etc. No stretching or squashing or scaling the letters in disproportionate ways. They can be rotated or reflected but they should still read as the letters they represent.
The letters can overlap, or pieces of the letters can be removed to make the letters fit together better. The goal is to create a unique mark that combines two letters, looking for similar shapes in both letters to make a final, harmonious form. There are many variations of weights and style within the list of fonts allowed. Also try bold, light, italic, and multiple variations. You should try capital and lowercase letters, you can mix upper and lowercase letters within the design. Futura is a Registered Trademark of Bauer Types S.L.Design a monogram combining two letters, the initials of your first and last name. The commemorative plaque left on the Moon in July 1969 features text set in Futura. Futura works well for short blocks of text copy and captions. It is a good choice for space-sensitive environments. Futura is an exceptionally versatile typeface, suitable for headlines, sub-headings and body text at a smaller point sizes.
Boutros Futura was designed to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. The Futura URW family has sixth weights for each - Latin and Arabic - variant (Extra Bold, Bold, Demi, Medium, Book and Light). In 1928 it was striking, tasteful and radical and today it continues to be a popular typographic choice to express strength, elegance and clarity. One of the great names in typography, Futura is a geometric sans-serif typeface originally designed by Paul Renner for the Bauer Type Foundry in 1928. Futura is a modern bilingual typeface designed and created by two professional groups, each expert in their own field.
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